Is the Romance of the Three Kingdoms true? Is it true history? What is the plot of the Romance of the Three Kingdoms?

The Romance of the Three Kingdoms is a long historical novel written in chapter form by Luo Guanzhong, a novelist in the late Yuan and early Ming dynasties, based on Chen Shou's Records of the Three Kingdoms, Pei Songzhi's annotations, and folk stories and legends of the Three Kingdoms. It is one of the four great Chinese classical novels along with Journey to the West, Water Margin, and Dream of the Red Chamber. So, is the Romance of the Three Kingdoms true? Is it true history? What is the plot of the Romance of the Three Kingdoms? Let's take a look at the introduction of Encyclopedia Knowledge Network to answer these questions!

Contents of this article

1. Is the Romance of the Three Kingdoms true? Is it true history?

2. What is the plan of the Romance of the Three Kingdoms?

3. Contents of the Romance of the Three Kingdoms

Is the Romance of the Three Kingdoms true? Is it real history?

"Romance of the Three Kingdoms" is 70% true and 30% false. It is a long novel adapted from "Records of the Three Kingdoms" and other unofficial histories.

"Romance of the Three Kingdoms" is one of the four great masterpieces of classical Chinese literature and the first long historical romance novel in China in the form of chapters. Its author is Luo Guanzhong, a famous novelist in the late Yuan Dynasty and early Ming Dynasty. It describes the historical events of nearly a hundred years from the end of the Eastern Han Dynasty to the beginning of the Western Jin Dynasty. It mainly describes wars, telling the story of the separatist fighting among warlords in the late Eastern Han Dynasty and the political and military struggles among the Three Kingdoms of Wei, Shu and Wu, and finally the story of Sima Yan unifying the Three Kingdoms and establishing the Jin Dynasty. It reflects the transformation of various social struggles and contradictions in the Three Kingdoms era, summarizes the historical changes of this era, and creates a group of powerful heroes of the Three Kingdoms.

What is the plan of the Romance of the Three Kingdoms?

Victory strategies: conceal the truth from the public, besiege Wei to save Zhao, kill with a borrowed knife, wait for the enemy to tire, take advantage of the fire, and make a feint to the east and attack in the west.

Enemy's battle strategies: creating something out of nothing, sneaking into Chencang, watching the fire from the other side of the river, hiding a dagger behind a smile, using someone else's strength to steal, and stealing something when the opportunity arises.

Offensive strategies: startle the snake by striking the grass, revive the dead by borrowing a corpse, lure the tiger away from the mountain, let it go in order to catch it, throw a brick to attract jade, capture the thief and the leader.

Melee strategies: remove the firewood from under the cauldron, fish in troubled waters, escape from the shell of the cicada, close the door to catch the thief, make friends with distant countries and attack nearby ones, and attack Guo through the excuse of passing through.

And the strategies for warfare: replace the pillars with a beam, make a veiled attack on someone else, pretend to be stupid but not crazy, pull out the ladder after climbing up the roof, make flowers bloom on the tree, and turn the tables.

Defeat strategies: beauty trap, empty city trap, sowing discord, self-torture trap, chain of traps, and the best strategy is to run away.

Contents of Romance of the Three Kingdoms

The full name of Romance of the Three Kingdoms is Romance of the Three Kingdoms. It is a long novel. It was written by Luo Guanzhong in the late Yuan Dynasty and early Ming Dynasty. It was created based on relevant historical books, vernacular novels, operas and folk legends. The original book has 24 volumes and 240 chapters. Mao Zonggang revised it in the early Qing Dynasty and merged it into 120 chapters.

Content: The Romance of the Three Kingdoms mainly describes the struggle between the three ruling groups of Wei, Shu and Wu. It has a distinct tendency of "supporting Liu (Bei) and opposing Cao (Cao)", promotes feudal orthodoxy and morality, and creates many vivid characters, such as Zhuge Liang, Cao Cao, Liu Bei, Guan Yu, Zhang Fei, Sun Quan, Zhou Yu, etc. The text uses simple classical Chinese, with a grand structure, and is particularly good at depicting war scenes. It is one of the outstanding novels in ancient China.